Oct/090
PSP to HDMI – Converter Box

Props to Lenkeng for dressing up their otherwise anonymous VGA-to-HDMI converter box with a PSP-related angle — the LKV8000 comes with the necessary cables to take your PSP-2000 or above’s 480p video output and push out a 720p HDMI signal complete with stereo audio. Not a bad idea — except that we can’t think of an HDTV that lacks either component or VGA jacks and that doesn’t have a built-in scaler to do the same job. Maybe you’re just out of ports? In any event, this guy needs a Stateside distributor before we can tell you pricing or availability, so you’re stuck swapping cables for a while, Sparky.
Oct/090
Western Digital WD TV Live HD media player

WD(R) Unveils WD TV(TM) Live HD Media Player With Network Capability and Enhanced User Experience
Consumers Can Stream HD Content from USB Drives, Network Drives and Popular Internet Sites to Their Big Screen TVs
LAKE FOREST, Calif., Oct. 13 /PRNewswire-FirstCall/ — WD® (NYSE: WDC), the world’s leader in external storage solutions, today introduced the WD TV Live HD media player featuring network capability and Full-HD 1080p resolution. The new WD TV Live HD media player makes it easy for anyone to play HD (high definition) videos stored on USB and network drives, as well as Internet content from popular Web sites, on the biggest screen in their home — their HD television. Building on the success of the WD TV HD media player, the WD TV Live HD media player offers a new, more responsive interface to help consumers enjoy a world of digital content in their living room, without a computer.
The network capability of the WD TV Live media player enables users to stream or transfer movies from PC or Mac® computers or a network-attached storage device such as WD’s My Book® World Edition(TM) and WD ShareSpace network drives to their HD TVs. The WD TV Live media player also allows users to stream rich content from YouTube(TM), Flickr® and Pandora®. The HD onscreen menu brings together all of the users’ available media in an elegant and simple-to-navigate interface.
Consumers are amassing large libraries of digital videos, photos and music on their computers. According to research firm Parks Associates, the average consumer had 123 GB of videos, photos, and music in 2009 which will grow to 1.3 TB by 2013 (Digital Lifestyles: 2009 Outlook). In addition, an increasing number of consumers are looking for seamless access to their personal media, as well as to Internet media. According to Parks Associates, the sales of connected consumer electronics devices, such as connected TVs and digital media adapters, is expected to more than double from 57 million units in 2009 to 115 million units in 2013 (Home Networks for Consumer Electronics 2009).
Consumers are investing millions of dollars in HD TVs, with HD televisions representing more than 50 percent of TVs sold in the U.S., according to Parks Associates (Home Networks for Consumer Electronics 2009). But consumers’ digital content is often relegated to the relatively small screen on their PC or Mac computers. The WD TV Live HD media player is the newest member in the family of WD TV media players by WD, which make moving digital content from a computer to playing it on a big screen TV simply plug-and-play.
Like the popular first-generation WD TV HD media player introduced last fall, the WD TV Live media player connects directly to a users’ HD TV and plays almost any file stored on a connected USB drive such as My Passport(TM) portable drive. The WD TV Live media player features powerful media processing, which enables playback in Full-HD 1080p resolution. WD TV Live media player also will play movies and photos stored on other popular USB devices such as digital camcorders and digital cameras.
“The media enthusiast community has embraced the first WD TV HD media player and given us tremendous feedback,” said Dale Pistilli, vice president of marketing for WD’s branded products group. “With the new WD TV Live media player we’re giving them what they asked for — network connectivity and Internet-content streaming capabilities — and offering them a simple way to enjoy all of their digital media and enjoy it on their HD TVs.”
WD TV Live HD Media Player
Features of the WD TV Live HD Media Player include:
- Full-HD 1080p video playback and navigation with the included remote control and crisp, animated navigation menus;
- Play a wide variety of file formats including support for a wide variety of the most popular file formats with no need to spend time transcoding;
- Play videos, music and photos from the Internet on your big screen TV and discover new music with Pandora Internet radio or listen to thousands of radio stations via Live365 Internet radio;
- Ethernet port for wired or WiFi connection(1) to access files anywhere on the network to play movies, music, and photos from any PC or drive on a home network;
- Turns a USB drive(2) into an HD media player and plays content from most popular USB drives, and digital cameras, camcorders, and portable media players that can be recognized as mass storage devices;
- Unlimited media collection, just add more USB drives for more space;
- Two USB ports for seamless media playback from multiple USB drives and ability to access them simultaneously while a media library feature collects the content on all the drives into one list sorted by media type;
- Transfer files by copying, moving or deleting files stored on a USB drive, a network drive, camcorder, or a camera to the attached USB drive using the on-screen menus;
- Picture Transfer Protocol support to show photos and movies directly from digital camera or video camera and or any digital imaging device that supports Picture Transfer Protocol;
- Advanced navigation options including thumbnail and list views, media library and search;
- Photo viewing to create custom slide shows, zoom and pan and search;
- Movie viewing with fast-forward, rewind, pause, zoom and pan, view subtitles, and search;
- Music playback with fast-forward, rewind, pause, shuffle, repeat and search;
- File copying between USB devices;
- HDMI® 1.3 port, composite video and component video output(3) for the highest quality HDTV or home theater;
- SPDIF digital output that sends digital signals to your AV receiver for the best surround sound experience; and,
- Ultra-compact design to fit easily into a home entertainment center.
Pricing and Availability
The WD TV Live Media Player is available now at select retailers and online at shopwd.com. Covered by a 1-year limited warranty, the MSRP for WD TV Live Media Player is $149.99 USD.
Sep/090
Semiconductor Laser for Triple, Quadruple-layer Blu-ray Discs – Sharp

Sharp Corp developed a blue-violet semiconductor laser whose optical output is as high as 500mW under pulsed operation for use in Blu-ray Disc (BD) recorders.
It has an oscillation wavelength of 405nm and a capability of writing at 8x speed on triple- and quadruple-layer Blu-ray discs. The company started volume production of a blue-violet semiconductor laser with 320mW pulsed output in June 2009.
Sharp has not decided when to mass-produce the new blue-violet semiconductor laser because the specifications of triple or more layer Blu-ray disc have not been determined yet. However, the company claimed that it is now ready to commercialize the laser.
Sharp enhanced the optical output by using a new method of processing the edge face of a resonator. Normally, the edge face of a crystal in a semiconductor laser is protected by a dielectric film. This time, the company formed an aluminum oxynitride (AlON) film between the edge face of the semiconductor laser and the dielectric film by a sputtering method and realized an epitaxial growth where the growth axis of the laser’s crystal corresponds to that of the AlON crystal.
In the past, the crystal of a semiconductor laser was just covered by a noncrystalline dielectric film. Therefore, the edge face of the crystal had a surface state and absorbed laser light, and the crystal was degraded by the heat and stopped oscillation.
Sharp has already verified the reliability of the new blue-violet semiconductor laser. It confirmed that the laser operated for more than 1,000 hours under the temperature of 80°C with a pulse width of 30ns and an output of 500mW.
Sep/090
3D may fall flat
The big theme that stood out for me last week at IFA was the idea of 3D driving sales of new TVs. Both Sony and Panasonic made strong plays for 3D at their press conferences, although Sony did a much better job, giving the audience 3D glasses and showing the trailer for “Cloudy with a Chance of Meatballs” along with footage of FIFA Soccer and Gran Turismo running on the PS3 — the cockpit view in GT was particularly impressive. Panasonic’s presentation was a little odder, with the audience being asked to “imagine” what 3D would look like during a slideshow of still images of various events like boxing matches. It was kind of like introducing color TV by showing off a black and white screen and asking the audience to imagine it in color.
I understand the need to drive new sales of TV sets and find some sort of purchase driver. Let’s face it. Screens have gotten large enough, perhaps even too large — if I offered you a 150-inch TV, where would you put it? Resolutions have maxed out and it’s hard to make sets much thinner. OLED displays could be a great purchase driver but are a few years off. So something new needs to drive the market. I’m just not convinced that 3D will really help move things forward.
Second, you need deep content support. At the moment, there’s far more content available on good old HD than there will be in either 3D format and that’s not going to change very fast. Unless you’re a really big fan of a particular title that’s available in 3D, you’re likely to sit this out for a while.
The best content in 3D just doesn’t offer that much more relative to standard HD, especially on smaller screens |
Third, you need a clear and visible consumer value proposition. CDs and DVDs both offered obvious value propositions to consumers. There was a noticeable difference in the experience that was easily grasped, and both were marked by moving from an analog tape format to optical disk, which was more reliable and offered novel features such as random access to content. What’s more, both offered clear quality improvements over what had come before — except to my six friends who still swear by their vinyl LPs and tube amps [and your editor! -- ed.], the upgrade in quality was far more than just noticeable. But when I look at the best content on 3D it just doesn’t offer that much more relative to standard HD, especially on smaller screens in regular homes. On top of that, 3D in movie theaters is still mostly a gimmick, and the content that we’ve seen to date doesn’t quite have a compelling feel to it.
With cheap HDTVs and plenty of HD content, the savvy consumer who holds off on a 3D purchase is clearly going to be the winner in 2010 — and consumers who’ve already invested in HD screens over the last few years are not likely to upgrade. In the long run, there may be no winner. The last time two formats fought a battle like this over incremental quality was in the audio arena, when it was SACD against DVD-Audio, and both sides lost to the convenience of less-than-CD-quality MP3s and the iPod. In this case, while we wait for large OLED screens to come to market, these efforts in 3D may just fall flat.
Sep/090
Verdicts in the battle of Plasma vs. LCD vs. OLED.
hasn’t the world pretty much moved beyond rear projection?
This means three HDTV display technologies seem primed to race for all the marbles: plasma, LCD, and OLED.
At this year’s CES, both plasma and LCD have bragging rights to some new-and-improved’s, while OLED is just new and improved in general. So what are their strengths, weaknesses, and likelihood to be the reigning HDTV-display technology?

OLED
THE SCIENCE
With OLED (organic light emitting diode), a stack of organic polymers, including both emissive and conductive layers, is deposited on a substrate containing a thin-film transistor (TFT) array. An electrical charge passing between the bottom electrodes and an additional transparent layer on the surface of the display stimulates the emissive organic layer, which in turn creates light.

STRENGTHS
If you’ve not seen a prototype OLED TV or Sony’s new compact model, it’s hard to fully understand the impact of the picture. I’ll sum it up in one word: contrast — or rather Contrast, with a capital ‘C.’
Like plasma, OLED is a self-emitting display technology that requires no backlight or projection lamp. But unlike most plasmas we’ve seen to date, an OLED doesn’t need to keep its pixel cells partially fired up at all times to be ready to respond to the signal. That’s because OLED cells respond so quickly, they can be fully turned off until needed. Signal response time in an OLED is measured in microseconds (a far cry from the several millisecond response times in today’s LCDs). Bottom line: Blacks on an OLED should be pretty much as black as black can be, which makes for a bright and dynamic picture with depth that has to be seen to be believed. Add to this a wafer-thin form factor that will have your interior designer drooling, and you can make a good case that OLED is the future of HDTV. At its core, the manufacturing process is simpler than LCD or plasma, which could eventually make OLED the most economical display type. OLEDs also promise dramatically reduced power consumption, and much faster screen response times than either LCD or plasma. With a depth of only a few millimeters, OLED is by far the thinnest display technology available — its ultra-slim form factor makes it akin to an architectural element like glass or mirror. Also, variations on the technology, such as transparent OLED, hold the promise of cool, futuristic stuff like video displays that transform into a window-like surfaces when switched off. Other OLED benefits include punchy contrast and color, wide viewing angle (a characteristic it shares with plasma technology), and low power consumption.
WEAKNESSES
How about ridiculously expensive and prohibitively small, for starters. I’ve not seen an OLED prototype from any manufacturer beyond 31 inches diagonal, and the only commercially available product right now — Sony’s XEL-1 — measures a mere 11 inches and costs $2,499! I suppose you have to start somewhere, but I wouldn’t anticipate big, affordable OLEDs anytime soon. While the XEL-1’s $2,500 price tag will limit its appeal for now and manufacturing OLEDs involves several patented technologies, which might require costly license fees. Still, large-scale production could eventually lead to OLED displays actually costing less to build than their LCD and plasma counterparts. Whereas plasma and LCD are both mature technologies snagging sizeable chunks of the current TV market, OLED technology has barely busted out of the lab. OLED displays can be found in digital cameras, GPS units, and portable media players, but the only consumer OLED display you can buy today is an 11-inch monitor from Sony that costs $2,500 — about the same as an average 52-inch LCD or plasma TV! Two reasons why OLED manufacturing lags behind the other flat-panel options are low yield (only a small number of panels actually make it past the quality-control stage) and differential aging (the blue pixels in an OLED display tend to lose brightness at a faster rate than red and green ones, which means OLED TVs have a limited lifespan compared to LCD and plasma — technologies spec’d to last two decades or more).
DOMINATION POTENTIAL
Great promise, and probably the eventual winner in the HDTV technology sweeps, once sizes grow and prices drop. But recent advances in plasma and that technology’s cost-size advantages in today’s world (see below) could give OLED a serious contender for the long term, at least in picture quality. And LCD has heavy market forces behind it. Despite its modest size, Sony’s 11-inch XEL-1 could be the start of something really big. OLEDs redefine how thin a display can be, and their low power consumption will be a clear plus point in an increasingly green conscious world. A critical assessment of OLED’s performance potential will have to wait until we get one into our testing facility. Until OLED’s technical issues get ironed out, it will continue to be aimed at the portable electronics, as opposed to home theater, market. But once its hurdles are overcome (and you can be sure TV makers are working feverishly on it), OLED’s wafer-thin form factor and crisp, punchy picture quality will likely let it trounce competing flat-panel technologies. Plasma and LCD are hereby put on notice.
Plasma
THE SCIENCE
Employs an enormous array of tiny cells of ionized gas (plasma), which activates each cell’s colored phosphor.

STRENGTHS
Plasma sales have been fading as of late against the LCD jauggernaut, but it’s not due to lack of image quality. Of course, this has to be qualified: When I talk about plasma HDTVs these days, I refer primarily to those coming from Pioneer — a company whose current sets are so far above the competition, they clearly define the state of the art.
That said, Pioneer continues to vastly reduce — and promises now to eliminate — the aforementioned “idle brightness” that keeps plasmas from delivering totally black blacks. The most talked about demo at this year’s CES, by far, was of Pioneer’s prototype ultra-black panel offered as proof-of-concept, followed by the company’s 9mm wafer-thin prototype. Pioneer says it will bring out TVs that combine both features, probably within a couple years. If they can, there may be life yet in this old dog, even in the face of OLEDs slow march to presumed dominance. Plasma displays continue to define picture quality standards, especially when it comes to darker images and shadow detail. The best examples can deliver a sense of color accuracy and consistent screen brightness from corner to corner that LCDs have a hard time matching. As Sound & Vision’s recent Plasma vs. LCD TV comparison test made clear, plasma still retains a distinct performance edge over LCD. Picture contrast, screen and grayscale uniformity, viewing angle — plasma TVs consistently rate better than LCD on all these key parameters. So for the foreseeable future, I will continue to nudge quality-conscious consumers seeking a new flat-panel set toward plasma.
WEAKNESSES
Heavy and power-hungry come to mind, though it remains to be seen if a super-thin plasma will still carry a big weight. And truth be told, image burn-in will always remain at least a mild concern with plasma TVs despite advances in this area. Manufacturing a display with cells small enough to deliver the 1920 x 1080 “Full HD” resolution demanded by many specification-driven customers can be costly. Power consumption has been improving with each generation, but still lags behind LCD displays. Plasmas tend to look less punchy than LCDs in a brightly lit environment. For a given size, plasma sets are usually deeper and heavier than an LCD. While plasma offers a lot to satisfy demanding videophiles, those with more general viewing habits may find fault with the technology. Although the plasma “burn-in” issue has been seriously over-hyped by misguided sales folk, it’s true you can potentially damage a plasma TV if you use it mostly to play videogames or continuously watch channels like Bloomberg TV (that are crammed with static onscreen graphics) with the contrast and brightness settings cranked up.
DOMINATION POTENTIAL
Today’s best flat-panel images come from today’s best plasmas, and it remains an evolving technology from which the best is yet to come. Unfortunately, though, recent plasma advances may simply be too little, too late. I won’t fully discount it yet, but beyond the most demanding consumers willing to pay top prices, plasma is likely to cede the market to LCD. Plasma continues to rule the roost in the 50-inch-and-up category, and remains the technology of choice for many videophiles. Early generation concerns regarding burn-in and panel life are now largely solved. When used in a controlled home theater environment, plasma delivers superior picture quality over competing flat-panel technologies. For the most part that’s something that won’t change dramatically. But unless plasma-makers manage to successfully reduce panel depth (Pioneer displayed a [3/4]-inch deep prototype model at the recent CES, indicating that progress is being made in that area), it may have a tough time going forward as new technologies like OLED shift into the big-screen TV marketplace.
LCD
THE SCIENCE
A matrix of thin-film transistors applies voltage to liquid crystal-filled cells sandwiched between two sheets of glass. When hit with an electrical charge, the crystals “untwist” to filter light coming from behind the cells. Each pixel comprises a red, green, and blue cell.

STRENGTHS
Image quality is advancing rapidly among LCD flat-panels lately, especially with the advent of LED-array backlights that can dim “locally” behind dark areas of the screen to achieve deeper blacks. Response time, color accuracy, picture uniformity (the ability to deliver consistent brightness and color across the screen), and horizontal viewing windows have (for the most part) also improved notably in the latest generation of sets. But the biggest thing LCD may have going for it is that manufacturers are banking on it as the future of mass market television, and have invested mountains of cash in new automated plants that will drive volume up and prices down. LCD boasts the widest range of screen sizes, from compact tabletop 13-inchers, to 65-inch-plus room fillers. 1080p resolution is common even in mid-sized models, though the benefits of 1080p with screens under 50 inches are debatable. Most LCDs have matte screen surfaces that are less susceptible to reflections in a brightly lit room, and power consumption is typically less than similarly sized plasmas. LCD picture quality has undoubtedly come a long way in the past year. When you combine that development with the reasonable prices LCD sets command, the technology’s broad appeal is understandable.
LCD is also the bright-room TV champ, edging out plasma by a nose when it comes to retaining picture contrast in well-illuminated spaces. And with new developments like LED-backlit LCD panels and ultra-fast refresh rates (180 Hz prototype models were shown at this year’s CES), picture performance just keeps getting better and better. Going forward, we’ll also see a shrinking of LCD cabinet depth: Hitachi just introduced a series of 1 1/2-inch deep models at CES, and it also displayed an even thinner 3/4-inch prototype with a 32-inch screen.
WEAKNESSES
Despite the new backlight technologies, LCD’s blackest blacks remain a notch below the best plasmas or any OLED, so it can’t quite equal those technologies in contrast and image depth. Narrow viewing angles on some models can also still be a problem in rooms with a broad swath of seating, though the best LCDs in this regard have very wide viewing windows. Many LCDs lose contrast when you’re seated off-axis. While prices are competitive in the 47-inch-and-under range, larger LCDs tend to cost more than equivalent plasmas. Some models are susceptible to motion blur and judder. LCD is currently riding the marketplace popularity wave, but its long-range prospects could be limited. That’s because, unlike self-emissive technologies like plasma and LCD that generate their own luminance, LCD display require a backlight. As Hitachi’s engineers demonstrated at CES, that backlight can be squeezed into a strikingly thin, 3/4-inch deep frame. But I can’t imagine LCD sets ever getting much thinner than that.
DOMINATION POTENTIAL
With plasma strong technically but fading in the market, and OLED still really a gleam in our collective eye, we can probably count on LCD to eventually take over as the volume leader for HDTV sales. LCDs sales dominance has been marching steadily up through the size ranges, and they now control most of the market below 50 inches. Their bright and punchy picture is a real asset on a brightly lit sales floor, even if that doesn’t always translate to a better picture in the typical home environment. We’ll be watching to see whether OLED can become a serious challenger. LCD delivers a one-two punch of solid picture performance and affordable price. For those reasons alone, LCD TVs are going to find their way into millions of homes over the next few years. But as other technologies — most notably OLED — manage to grow their screen sizes while retaining a wafer-thin form factor, LCD may ultimately get displaced — much in the same way current flat-panel TVs consigned bulky CRT models to the consumer electronics landfill.
Aug/090
HOT!!! – The Cheapest HDMI Cable
We all know what a HDMI cable is. We also know how much fun we can have with high quality gaming devices or HDTVs. You should know that all Xbox models (Xbox 360 Arcade, Xbox 360, and Xbox 360 Elite), PS 3, Satellite receivers, Blu Ray DVD players, etc ship with HDMI. If you want to enjoy the benefits of this revolutionizing technology, you will definitely need a HDMI cable.
One of the main benefits of this technology is the quality of image. Until HDMI appeared, digital sources sent signals through analog cables, downconverting the signal. The HDMI cable works with digital signals so it will offer a superior and cleaner image. Another main benefit is that a HDMI cable is a single cable carrying both audio and video signals.
Now, HDMI cables are pricy, so you need to find one of the cheapest while still keeping an eye on quality. We have just found the perfect HDMI cable for any of your HD sources. I must admit we were a little surprised of its price and performances. It supports resolutions of up to 1080P, which is astonishing at just £3.49
Aug/090
EST. 1 Billion HDMI products in 2009
Some love it others loath it but despite what you think more than 340 Million people are now using HDMI connectivity as their preferred connection technology. More than 394 million HDMI-enabled devices will ship in 2009 claims the HDMI Licensing organisation creating an installed base of 1 billion devices, says In-Stat. But the successful HDMI standard is about to be upgraded to Version 1.4.
The HDMI spec is chasing added functionality by consumer electronics and PC makers. Says Steve Venuti, president of HDMI Licensing LLC, “The 1.4 specification will support some of the most exciting and powerful near-term innovations such as Ethernet connectivity and 3D formats. Additionally we are going to broaden our solution by providing a smaller connector for portable devices and a connection system specified for automobiles, as we see both more and different devices adopting the HDMI technology.”
You can expect to see new HDMI 1.4 cables when new HDMI 1.4 devices become available. Here are some of the most notable new features:
• Standard HDMI Cable – supports data rates up to 1080i/60
• High Speed HDMI Cable – supports data rates beyond 1080p, including Deep Color and all 3D formats of the new 1.4 spec
• Standard HDMI Cable with Ethernet
• High Speed HDMI Cable with Ethernet
• Automotive HDMI Cable – to connect external HDMI-enabled devices to an in-vehicle HDMI device
The HDMI 1.4 spec will add a data channel to the HDMI cable to enable high-speed bi-directional communication. Connected devices with this feature can send and receive data via 100 Mb/sec Ethernet (making them instantly ready for any IP-based application).
The HDMI Ethernet Channel will allow an internet-enabled HDMI device to share its Internet connection with other HDMI devices without the need for a separate Ethernet cable. The new feature allows HDMI-enabled devices to share content between devices, too.
The new version will add an Audio Return Channel to reduce the number of cables required to deliver audio upstream for processing and playback. In cases where HDTVs are directly receiving AV content, the Audio Return Channel allows the HDTV to send the audio stream to the AV receiver over the HDMI cable (eliminates need for an extra cable).
The new 1.4 version defines common 3D formats and resolutions for HDMI-enabled devices. For 3D Over HDMI , the spec will standardize the input/output portion of the home 3D system and will specify up to dual-stream 1080p resolution.
HDMI devices will be able to support HD resolutions at 4X the resolution of 1080p. Support for 4K x 2K lets the HDMI interface transmit content at the same resolution as many digital theaters. Formats supported include:
• 3840×2160 24Hz/25Hz/30Hz
• 4096×2160 24Hz
Other enhanced functionalities in the spec include:
• expanded support for color spaces specifically for digital still cameras, including YCC601, Adobe RGB and AdobeYCC601
• a Micro HDMI 19-pin connector supporting up to 1080p resolutions for portable devices and about 50% smaller than the extant HDMI Micro Connector
• an Automotive Connection System cabling spec for in-vehicle HD content distribution, (specified resistance levels to heat, vibration and noise)
Aug/090
HDCP in detail
High Definition digital video allows users to experience high resolution, near perfect video content. Asmore content is delivered digitally, the content creators are increasingly concerned with content piracy because digital content can be perfectly duplicated. Therefore anti-piracy safeguards such, as High Bandwidth Content Protection (HDCP) is necessary in order for original content creators to protect their assets. In this article we will touch on the key points of HDCP.
What is HDCP
High-Bandwidth Digital Content Protection,HDCP, is an encryption scheme developed to defend against uncontrolled copying of digital content over high bandwidth digital interconnects such as DVI and the HDMI. The FCC approved HDCP as a “Digital Output Protection Technology” on August 4th,2004. A HDCP protected system consists of: 1) HDCP transmitter(DVD player for example), 2) the digital interface (DVI orHDMI), and 3) the HDCP receiver (your display monitor). Inbrief, the content is encrypted at the transmitter and the signal is passed to the HDCP receiver (display) via the DDC lines (in essence an I2C bus) where it is decrypted before viewing. HDCP requires that both the transmitter and the receiver comply with standards. If either one does not comply,the video will not be displayed properly. Incidentally, HDCP does not apply to analog interface such as component video although component video can be used to display high definition video.
Why should the consumer care about HDCP
It is highly recommended that consumers be aware of HDCP and purchase sets that are HDCP compliant. Here is why. It has been speculated that the two competing high definition DVD standards HD DVD, and BLUE RAY, due out in 2006 will only deliver full resolution on HDCP protected outputs such as HDMI or DVI. If true, then usersmust have a HDCP monitor in order to experience full resolution HD DVD technology. Therefore it is prudent for the consumer to select HDCP compliant displays so the display can be used with future applications.
What is involved during a HDCP session
HDCP is a complicated process but can be broken down to 3 key functions: Authentication, Encryption, and Renewability
Authentication:
The first step before video is actually sent is for the HDCP transmitter to determine if the receiver is “authorized” to accept HDCP protected content. Stored in the PROM of each transmitter and receiver is an array of 40, 56-bit secret keys and a 40-bit entity called Key Selection Vector. Authentication requires that the transmitter and receiver pair exchange “secret keys” and key selection vectors. The keys are scrambled and never revealed. The mathbehind the encryption allows each half to calculate a resultant number, call it Rs, based on the key exchanges. The Rs value is then shared and compared. If the Rs value matches, the receiver is accepted as an authorized HDCP receiver and video transmission can start.
Encryption/Transmission:
Once authentication is completed, transmission of the video content can commence. To prevent an unauthorized receiver from receiving the content, the video data must be encrypted prior to transmission. At the transmitter end, the video data bits are exclusive-ored with ashared calculated number lets call it Rt ( Rt is similar to howRs was calculated) and sent to the receiver. At the receiver end the encrypted data is again exclusive-ored with Rt. Since the XOR function is invertible, XORing with the same Rt at the receiver end will reveal the true unscrambled video bits. Incidentally, a new Rt value is calculated about every 2 secondto prevent corruption due to hacking.
Conclusion
HDTV technology is changing rapidly. Content providers need to protect against piracy by implementing HDCP. HDCP and digital connection standards such as HDMI will become the de facto standard for digital video connections. We have outlined the important features of HDCP, so the consumer can make intelligent purchasing decisions.
Aug/090
Is HDMI the ultimate digital source or just souped up DVI
High Definition Multimedia Interface (HDMI) has been largely hailed as the ultimate interface to enjoy supreme quality high definition audio and video but is it really that good, after all, surely DVI is just as good. Do we really need HDMI?
HDMI was developed with the specific intention of replacing DVI. DVI was primarily used to convert analogue signals to digital for computer monitors. There are actually three different types of DVI, which are DVI-A, DVI-D and DVD-I.
DVI-A uses analogue signals the same as VGA. DVI-D uses a digital signal (as with modern home cinema systems and consumer products). DVI-I is a combination of both DVI-A and DVI-D. Modern electronics use the single link standard for performance but DVI-I can handle this as well as dual link to make it adaptable for future advancements. DVI-I supports a fully digital protocol, which means video up to 1080p can be viewed.
HDMI on the other hand offers an uncompressed digital audio and video interface that has the full support of manufacturers including Panasonic, Sony, and Toshiba to name but a few. Major movie companies too have backed HDMI including Warner Brothers and Universal Pictures. HDMI offers an interface that can connect any audio or video source together. It can do this through a single HDMI cable.
HDMI supports high definition video, normal video as well as digital audio and also have bandwidth to spare in order to make it ready for future advancements in HDMI technology. It must be remembered though that HDMI and DVI are a lot similar and are actually based on a set of specifications that were extremely alike, in fact, HDMI was derived from the DVI requirements.
So, is HDMI any different to DVI? Well yes it is. HDMI actually incorporates a form of content security known as High Definition Content Protection (HDCP). HDMI also can support both audio and video signals through one cable at the same time whereas DVI is limited to only video.
The number of cables needed to set up with DVI is at least two. One is for the audio and one is for the video. HDMI requires only a single HDMI cable therefore leaving fewer cables to be tangled up behind the electronic equipment. This means that anyone using HDMI is going to end up with a cleaner less cluttered space around their equipment.
The important thing to remember is that quality wise; HDMI and DVI are the same. This is because as mentioned earlier they are both derived from the same specifications but HDMI’s ability to support digital audio gives it the edge over DVI. Combine this with the fact that HDMI can do this through a single HDMI cable and it is easy to see why HDMI and HDMI cables have proved to be so popular.
Aug/090
First regular European HDTV broadcasts
Although HDTV broadcasts had been demonstrated in Europe since the early 1990s, the first regular broadcasts started on January 1, 2004 when Euro1080 launched the HD1 channel with the traditional Vienna New Year’s Concert. Test transmissions had been active since the IBC exhibition in September 2003, but the New Year’s Day broadcast marked the official start of the HD1 channel, and the start of HDTV in Europe.
Euro1080, a division of the Belgian TV services company Alfacam, broadcast HDTV channels to break the pan-European stalemate of “no HD broadcasts mean no HD TVs bought means no HD broadcasts…” and kick-start HDTV interest in Europe.
The HD1 channel was initially free-to-air and mainly comprised sporting, dramatic, musical and other cultural events broadcast with a multi-lingual soundtrack on a rolling schedule of 4 or 5 hours per day.
These first European HDTV broadcasts used the 1080i format with MPEG-2 compression on a DVB-S signal from SES Astra’s 1H satellite at Europe’s main DTH Astra 19.2°E position. Euro1080 transmissions later changed to MPEG-4/AVC compression on a DVB-S2 signal in line with subsequent broadcast channels in Europe.